Actors learn to commit to a private truthful moment in front of an audience. |
3,108 | 1309994977 | A Private Moment | |
Using improvisation to act out particular scenes from the musical or play we are performing. This helps motivate the students to 'let their hair down' and act and have fun.
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1,056 | 1309542084 | Futuristic Improv | |
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Concentration, Icebreakers, Improv, Physical work, Scene work, Script development, Team building, Warm ups
This is an opening for long form improvisation. It uses audience suggestion and the imagination and physicality of the players. Actors become inanimate objects as well as people, physically creating a setting as well as characters. |
1,631 | 1278155805 | We See |
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Students will demonstrate their ability to create a character background by participating in a character interview. |
1,200 | 1277723835 | Character Interview |
So, what do people say when they visit the grave? Do they water the grave? |
1,531 | 1276638382 | Watering The Grave by L. Richardt | |
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Actors identify the animal and/or song that their character represents or reminds them of. This can be seen throughout the play and/or for curtain calls. |
527 | 1275047048 | Identifying Characters by Animal or Song |
This exercise allows students to create the characters, settings, and plots for their own improvisations. Depending on the age group, it is interesting to see how, inventive, humorous even silly, and/or dramatic the scenes can be. |
766 | 1268134229 | Student Prompted Improvisation | |
Two actors working through a scene or improv will be given a separate motivation or goal to obtain in the scene that is unrelated to the scene itself. Works on a young actor's ability to gain something from the other actor while staying in the moment. |
595 | 1265906367 | Obtaining your Goal | |
The game requires both exchanging and transforming energy by blending with your fellow players as a ball of energy is thrown amoungst the group. Its about being in the moment, keeping open, grounded and free as well as being aware of your surroundings and articulating. You must be aware of the energy sent, available to the energy - allowing it to change you, and you must be articulate in sending the energy back out. |
713 | 1246288930 | Casting Spells |

